{"id":1604,"date":"2021-02-19T11:40:09","date_gmt":"2021-02-19T10:40:09","guid":{"rendered":"https:\/\/svjmedia.nl\/internationaljournalism\/?p=1604"},"modified":"2021-03-22T10:52:28","modified_gmt":"2021-03-22T09:52:28","slug":"from-victims-to-storytellers-as-a-new-wave-of-socially-engaged-art-emerges-refugees-are-reclaiming-their-own-stories","status":"publish","type":"post","link":"https:\/\/svjmedia.nl\/internationaljournalism\/1604\/from-victims-to-storytellers-as-a-new-wave-of-socially-engaged-art-emerges-refugees-are-reclaiming-their-own-stories\/","title":{"rendered":"From victims to storytellers. As a new wave of socially engaged art emerges, refugees are reclaiming their own stories."},"content":{"rendered":"
“Who is telling whose story” Frederik Biemans -former head of programming and exhibition at Humanity House- asks herself. Even if immigration conquers the media space it deserves, the question of refugees representation remains unanswered. <\/strong>NGOs have a long-standing tradition of using highly charged emotional images to portray scenarios of poverty, hunger and violence in so-called Third World countries. But the overload of this heart-breaking imagery is taking its toll on those communities it sought to defend: the general public is growing desensitized to humanitarian crises. The call for new ways of raising awareness has not gone unnoticed, as a wide array of curators and artists are taking upon themselves the challenge to reinvent the way refugees are represented. Why artists? \u201cArt is where society experiments, art is a way to reflect as a society\u201d responds Frederiek Biemans, \u201ca way to digest things from the past.\u201d She refers to how the European history of colonialism is now being reinterpreted in a critical light also thanks to the impulse of cultural institutions. The momentum in support of oppressed communities is inevitably reflected in the increasing spaces dedicated to their art in museums and galleries. And the influence flows both ways. \u201cArt highlights perspectives that are often excluded from mainstream media and consciousness, in a very relatable way\u201d adds Saskia Stolz, creative director of Sazza and Power of Art House, \u201cArt is our universal language.\u201d<\/p>\n A new visual language is making its way through the clutter of stereotyped images of immigrants that have dominated the Western media for decades. The starting point lies in the role that migrants themselves play in the process: instead of objects of sympathy, they become the subjects of their own narrative. In 2016 Humanity House, an initiative of the Dutch Red Cross based in The Hague, enriched its permanent exhibition with the stories of eight refugees who had to flee their countries for different reasons. Lidija, Desbele, Aiham, Bruce, Shaza, Yvonne, Ram and Akhrat could share their experience with the audience in their own words. Interviews took place in an intimate environment and the recordings were exhibited in the museum. Frederiek mentions the reactions of school children; how they would listen captivated to these real-life stories, eyes glued to the narrators on the screens. As refugees leave behind their place in pitiful images to gain a new face and a strong voice the result is quite impactful. \u201cEveryone came out slightly overwhelmed, because it\u2019s something that you know and you don\u2019t know\u201d continues Frederiek \u201cWhen you hear it like that you realise it\u2019s something you don\u2019t know.<\/em>\u201d<\/p>\n