{"id":5005,"date":"2022-02-25T01:36:19","date_gmt":"2022-02-25T00:36:19","guid":{"rendered":"https:\/\/svjmedia.nl\/internationaljournalism\/?p=5005"},"modified":"2022-02-25T22:02:02","modified_gmt":"2022-02-25T21:02:02","slug":"9th-rule-we-dont-get-too-political-about-fight-club","status":"publish","type":"post","link":"https:\/\/svjmedia.nl\/internationaljournalism\/5005\/9th-rule-we-dont-get-too-political-about-fight-club\/","title":{"rendered":"9th rule: we don&#8217;t get too political about Fight Club"},"content":{"rendered":"<p><strong>Recently, a Chinese streaming platform, Tecent Video, edited out the ending of <em>Fight Club <\/em>(1999).<\/strong><\/p>\n<p>In the Tecent version, the iconic final scene, (<strong>spoiler alert!<\/strong>) in which Tyler\u2019s (Brad Pitt) Project Mayhem is put into practice, detonating bombs in multiple buildings where credit records were held and sparking a revolution, was cut out and replaced by a black screen with the following caption, in a clear effort to make it less transgressive: \u201cThrough the clue provided by Tyler, the police rapidly figured out the whole plan and arrested all criminals, successfully preventing the bombs from exploding. After the trial, Tyler was sent to [a] lunatic asylum receiving psychological treatment. He was discharged from the hospital in 2012.\u201d<\/p>\n<p>According to Tayn\u00e3 Puri, CEO of Hollywood Film Academy, even though this so-called censorship of <em>Fight Club <\/em>isn\u2019t justified or right, it\u2019s understandable:<\/p>\n<p>\u201cDespite questioning the system, <em>Fight Club <\/em>still does it through an \u2018US-centred\u2019 perspective, and raises a debate about the capitalist Western way of life. Therefore, it can be, in a certain way, seen as an ideological influence which doesn\u2019t match the one predominant in China.\u201d<\/p>\n\n[aesop_image  img=&#8221;https:\/\/svjmedia.nl\/internationaljournalism\/wp-content\/uploads\/sites\/378\/2022\/02\/statistic_id260007_box-office-revenue-of-the-most-successful-movies-of-all-time-in-china-2022.png&#8221; panorama=&#8221;off&#8221; align=&#8221;center&#8221; lightbox=&#8221;on&#8221; captionsrc=&#8221;custom&#8221; caption=&#8221;To diminish foreign influence in the country, China has massively invested in their cinema industry in the past 15 years. The only foreign film to make it to the top-10 of the most successful films in the country is Avengers: Endgame. &#8221; captionposition=&#8221;left&#8221; revealfx=&#8221;off&#8221; overlay_revealfx=&#8221;off&#8221;]\n<p>However, changes like the one <em>Fight Club <\/em>suffered isn\u2019t something new or isolated. Studios and platforms changing their productions or promotion material in certain countries to better adapt to the local audience or government is a fairly common phenomenon, and weirdly enough, it seems to follow a tendency of excluding women or minorities.<\/p>\n<p><em>Star Wars: The Force Awakens (2016) <\/em>Chinese poster had black actor John Boyega\u2019s character downsized by more than 50% &#8212; the same happened with Felicity Jones\u2019s character in the <em>Star Wars: Rogue One (2017) <\/em>poster. Something similar was seen when the Italian version of the <em>12 Years a Slave (2013) <\/em>poster highlighted Brad Pitt and Michael Fassbender at the expense of Chiwetel Ejiofor, the black actor who played the main character in the film.<\/p>\n[aesop_gallery  id=&#8221;5012&#8243; revealfx=&#8221;off&#8221; overlay_revealfx=&#8221;off&#8221;]\n<p>But, Tayn\u00e3 Puri doesn\u2019t consider it censorship, and says these \u2018marketing choices\u2019 are less important than the message the actual film brings:<\/p>\n<p>\u201cIf the film brings the right message and the minority characters are represented in a good way, in a manner which the public can see their importance to the story, this marketing stuff is a matter of less relevance.<\/p>\n<p>\u201cIt\u2019s not something that we, film-makers and cinema lecturers, give much attention, as long as the films and their stories get to people.\u201d<\/p>\n<h3 id=\"but-would-there-be-any-case-in\">But would there be any case in which censorship in cinema would be justified?<\/h3>\n<p>It may come in many ways, through banning, editing parts, etc, and, as Tayn\u00e3 Puri says, censorship is inherently \u00a0unjustifiable, but in one scenario:<\/p>\n<p>\u201cCensorship is only acceptable with productions that can potentially put a determined group or individuals at risk, especially those who were historically marginalised, such as people of colour and women.<\/p>\n<p>\u201cOf course some films should have age-limitation to protect kids from being exposed too early to a certain content, but there shouldn\u2019t be any other form of \u2018censorship\u2019 in any kind of art or expression. Therefore films which perpetrate authoritarian, intolerant, nazi-fascist and\/or racist ideals, like <em>The Birth of a Nation (1915),<\/em> should be the only ones being silenced and prohibited by governments, for the sake of our democracy.\u201d<\/p>\n\n\n\n[aesop_image  img=&#8221;https:\/\/svjmedia.nl\/internationaljournalism\/wp-content\/uploads\/sites\/378\/2022\/02\/20220225_213832-scaled.jpg&#8221; panorama=&#8221;off&#8221; align=&#8221;center&#8221; lightbox=&#8221;on&#8221; captionsrc=&#8221;custom&#8221; caption=&#8221;&#8216;Films which perpetrate authoritarian, intolerant, nazi-fascist and\/or racist ideals (&#8230;) should be the only ones being silenced&#8217; &#8211; Tayn\u00e3 Puri. Picture by Jo\u00e3o Thomaszeck &#8221; captionposition=&#8221;left&#8221; revealfx=&#8221;off&#8221; overlay_revealfx=&#8221;off&#8221;]\n\n","protected":false},"excerpt":{"rendered":"<p>Recently, a Chinese streaming platform, Tecent Video, edited out the ending of Fight Club (1999). In the Tecent version, the iconic final scene, (spoiler alert!) in which Tyler\u2019s (Brad Pitt) Project Mayhem is put into practice, detonating bombs in multiple buildings where credit records were held and sparking a revolution, was cut out and replaced [&hellip;]<\/p>\n","protected":false},"author":1870,"featured_media":5010,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-5005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acls","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>9th rule: we don&#039;t get too political about Fight Club - International Journalism<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"9th rule: we don&#039;t get too political about Fight Club - International Journalism\" \/>\n<meta property=\"og:description\" content=\"Recently, a Chinese streaming platform, Tecent Video, edited out the ending of Fight Club (1999). In the Tecent version, the iconic final scene, (spoiler alert!) in which Tyler\u2019s (Brad Pitt) Project Mayhem is put into practice, detonating bombs in multiple buildings where credit records were held and sparking a revolution, was cut out and replaced [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/svjmedia.nl\/internationaljournalism\/5005\/9th-rule-we-dont-get-too-political-about-fight-club\/\" \/>\n<meta property=\"og:site_name\" content=\"International Journalism\" \/>\n<meta property=\"article:published_time\" content=\"2022-02-25T00:36:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-02-25T21:02:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/svjmedia.nl\/internationaljournalism\/wp-content\/uploads\/sites\/378\/2022\/02\/WhatsApp-Image-2022-02-25-at-12.54.07-AM.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1536\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jo\u00e3o Pedro Antunes Thomaszeck\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/JPThomaszeck\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo\u00e3o Pedro Antunes Thomaszeck\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/svjmedia.nl\/internationaljournalism\/5005\/9th-rule-we-dont-get-too-political-about-fight-club\/\",\"url\":\"https:\/\/svjmedia.nl\/internationaljournalism\/5005\/9th-rule-we-dont-get-too-political-about-fight-club\/\",\"name\":\"9th rule: we don't get too political about Fight Club - 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