{"id":6023,"date":"2022-04-22T20:46:09","date_gmt":"2022-04-22T18:46:09","guid":{"rendered":"https:\/\/svjmedia.nl\/internationaljournalism\/?p=6023"},"modified":"2022-04-22T20:56:38","modified_gmt":"2022-04-22T18:56:38","slug":"haus-schwarzenberg-a-taste-of-the-90s-in-a-new-berlin","status":"publish","type":"post","link":"https:\/\/svjmedia.nl\/internationaljournalism\/6023\/haus-schwarzenberg-a-taste-of-the-90s-in-a-new-berlin\/","title":{"rendered":"Haus Schwarzenberg, a ‘taste’ of the 90s in a new Berlin"},"content":{"rendered":"

Berlin has changed. The \u2018post-wall\u2019 bliss of the 90s is gradually fading away, as gentrification hits the city harder and harder every year.<\/strong><\/p>\n

The cultural effervescence of the old days is now more difficult to spot, it\u2019s not everywhere anymore, it\u2019s hidden amongst big office buildings, luxurious houses and famous chain stores.<\/strong><\/p>\n

There are only a handful of places in the German capital that still preserve the 90s feeling, that still manage to keep standing as the city becomes more elitist.<\/strong><\/p>\n

Haus Schwarzenberg is one of these hidden gems.<\/strong><\/p>\n

Located in Mitte, former East Berlin, this space, originally a workplace owned by a Jewish family, has been turned in the early 90s into an artistic hub, hosting studios, ateliers and galleries for all kinds of artists. Haus Schwarzenberg is also home to other cultural-related environments, such as two museums, a caf\u00e9, a bar\/club and an open-air cinema.<\/p>\n

Stefano K., architect and designer, was one of the first artists to arrive and rent his studio at Haus Schwarzenberg. Nowadays, he\u2019s one of the most knowledgeable persons about the history of the place and how it came to be what it is today, not only a workplace but also a tourist attraction.<\/p>\n

\u201cThis address dates back to 1769, when it wasn\u2019t even part of Berlin. Since then, this house has been changed by the needs of the time. Even with a lot of different owners, this place was always built up as a place to work.\u201d<\/p>\n

\u201cBefore the crash of the Wall, here was a centre for repair and distribution of computers and other electronics, but after the Wall fell, it was abandoned and left aside for many years until we came. It was only home for doves.\u201d<\/p>\n

With the arrival of the artists and judicial problems with the descendants of the former Jewish owners, the municipality of Berlin has bought the house and has been \u2018looking after\u2019 it since then.<\/p>\n

Stefano says it \u201chas become like a little village\u201d and that \u201ceveryone is very conscious of what they\u2019re doing, and cooperate\u201d.<\/p>\n\n[aesop_image img=”https:\/\/svjmedia.nl\/internationaljournalism\/wp-content\/uploads\/sites\/378\/2022\/04\/20220413_143440-scaled.jpg” panorama=”off” align=”center” lightbox=”on” captionsrc=”custom” caption=”Photo by Joao Thomaszeck” captionposition=”left” revealfx=”off” overlay_revealfx=”off”]\n

Despite the nice community feeling developed at Haus Schwarzenberg, working in a place that has now become a tourist destination, with hundreds of people coming in every day to see the beautiful street art on the walls, is not always a bed of roses.<\/p>\n

Downsides<\/h1>\n

\u201cSome artists were forced to move out of this part of Berlin, because now the rent is really high\u201d explains Sandra Becker, another one of the artists working at the Haus since its early days. \u201cNow they don\u2019t select people for this place based on their work any longer, it\u2019s based on a huge waiting list, it\u2019s more bureaucratic.\u201d<\/p>\n

\u201cFor me it\u2019s very strange to be here. On one hand I love this place, and have uncountable memories here, but on the other hand I feel the tradition isn\u2019t there anymore.\u201d<\/p>\n

Sandra says the whole community has grown apart in a way, and that the artists working at Haus Schwarzenberg are not as close as they once were, losing connection and gradually becoming more commercially oriented.<\/p>\n[aesop_gallery id=”6071″ revealfx=”off” overlay_revealfx=”off”]\n

Also, according to her, the municipality is interfering more in the studios, limiting the artists\u2019 freedom. When asked if she ever tried to complain about it, Sandra stated:<\/p>\n

\u201cYes, of course. We rent this place, paying a lot of money, but we have almost no rights, it\u2019s not like renting an apartment, a complaint can be a reason for eviction, there\u2019s no protection. They treat this as commercial space, but we don\u2019t do commercial work, we don\u2019t generate money, we create culture, value.\u201d<\/p>\n

The changes in the whole area are also a downside of being based in this part of Mitte. \u201cThis House is a remnant of what once was the whole city\u201d says Lisa Smith, an illustrator working at the Haus for more than 20 years. She mentions that the entire neighbourhood used to look similar to the Haus, but the old buildings have \u201cgradually been acquired and gentrified to death\u201d.<\/p>\n[aesop_gallery id=”6069″ revealfx=”off” overlay_revealfx=”off”]\n

The intense interaction with the tourists is another aspect that bothers some artists at the Haus, apart from the constant hardship to get to the studios due to the number of visitors, Lisa mentions people\u2019s behaviour:<\/p>\n

\u201cI find it incredibly rude when people point their cameras to my face, or put their arms across a conversation just because they want to take a picture of something on the wall. Sometimes I\u2019m in the garden carrying a bucket and they want to take a photo of me, c\u2019mon it\u2019s just me and a bucket.\u201d<\/p>\n

Breeda and Hannes Heiner, \u00a0artists at Monsterkabinett \u2013 a museum-like section of the Haus full of mechanical monster figures- and part of DeadChickens, the artistic group that found the house, also agree that the number of tourists storming the place every day is an issue:<\/p>\n

\u201cIt\u2019s too much\u201d, says Hannes.<\/p>\n[aesop_gallery id=”6063″ revealfx=”off” overlay_revealfx=”off”]\n

\u201cThe attitude of some people is a real issue. They come here and feel entitled to do whatever they want, they think they have the right to be entertained. There\u2019re too many of these \u2018mainstream\u2019 tourists coming in, grabbing everything. It\u2019s too much\u201d, says Breeda.<\/p>\n

She finishes by saying: \u201cBerlin is changing, and gentrification has already hit us in a way. But we helped to build this place, and it\u2019s one of the last pieces of the 90s\u201d<\/p>\n

Upsides<\/h1>\n

But working at Haus Schwarzenberg still has its very positive aspects.<\/p>\n

Dylan Bakker and Maria Cukorova are the newest tenants of the House. They opened their space Many Tentacles in 2019, to sell their art in form of clothes, pins, pictures, etc.<\/p>\n

\u201cOur relationship with the other tenants is so easy and so real. Whenever you need some sort of assistance there\u2019s someone here able to help. It\u2019s so cool.\u201d<\/p>\n[aesop_gallery id=”6065″ revealfx=”off” overlay_revealfx=”off”]\n

Also regarding his art, Dylan says: \u201cI normally work alone and create stuff alone, but of course, being surrounded by all these interesting people here somehow inspires me.\u201d<\/p>\n

About the personal relations within the Haus, Dylan explained: \u201cThere are a lot of little worlds inside the big \u2018Haus Schwarzenberg world\u2019. Like little bubbles, which are not that simple to get into, but everyone welcomed us and we are managing to build up a very special relationship with this place.\u201d<\/p>\n

Caroline Gerbeckx, a choreographer and dancer, and founder of Bande \u00e1 Part, is another remarkable tenant of Haus Schwarzenberg.<\/p>\n

Bande \u00e1 Part is an agency for performers born and based at the Haus, having the Eschschloraque R\u00fcmschr\u00fcmp \u2013 the house\u2019s bar \u2013 as their main stage for their experimental presentations.<\/p>\n

When defining her relationship with the people at the Haus, she kept it simple: \u201cThis is family.\u201d<\/p>\n

\u201cThis is the perfect place for you to create a network, not just for performers but everyone involved with art. It feels like everything and everyone gathers here. It was, and in certain way, still is, a great place to interact and develop new ideas.\u201d<\/p>\n\n[aesop_image img=”https:\/\/svjmedia.nl\/internationaljournalism\/wp-content\/uploads\/sites\/378\/2022\/04\/20220413_172534-scaled.jpg” panorama=”off” align=”center” lightbox=”on” captionsrc=”custom” caption=”Caroline Gerbeckx. Photo by Joao Thomaszeck” captionposition=”left” revealfx=”off” overlay_revealfx=”off”]\n

Despite all the changes it suffered in recent years and the surprising amount of tourists one can find wandering around there sometimes, Haus Schwarzenberg is still a must-see place in the middle of Berlin.<\/p>\n

Not only because of the cool aesthetics of its vivid walls or the tasty cocktails at the Eschschloraque, but because, with some interest, an open mind and some time, one can discover this fascinating cultural hub, and have a \u2018taste\u2019 of the glorious days of Berlin in the 90s.<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

Berlin has changed. The \u2018post-wall\u2019 bliss of the 90s is gradually fading away, as gentrification hits the city harder and harder every year. The cultural effervescence of the old days is now more difficult to spot, it\u2019s not everywhere anymore, it\u2019s hidden amongst big office buildings, luxurious houses and famous chain stores. There are only […]<\/p>\n","protected":false},"author":1870,"featured_media":6045,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[5],"tags":[94,124],"acf":[],"yoast_head":"\nHaus Schwarzenberg, a 'taste' of the 90s in a new Berlin - International Journalism<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/svjmedia.nl\/internationaljournalism\/6023\/haus-schwarzenberg-a-taste-of-the-90s-in-a-new-berlin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Haus Schwarzenberg, a 'taste' of the 90s in a new Berlin - International Journalism\" \/>\n<meta property=\"og:description\" content=\"Berlin has changed. 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